Work of Post-Art in the Age of Generative Reproduction

The flux creates, the chaos profligates. In the synaptic hallucination, art objects are resurrections of the iterations of the flux — a flux that uses the chaos as a zeitgeist to deconstruct ideas, patterns, and emotions. With the evolution of the electronic environment, the flux is superseding a point where it will be free from the chaos to transcend immersions into the ejaculations of the delphic hallucination. Work of Post-Art in the Age of Generative Reproduction contains 10 minimal shockwave engines (also refered to as “memes”) that enable the user to make heinous audio/visual compositions.

measuring chains, constructing realities
putting into place forms
a matrix of illusion and disillusion
a strange attracting force
so that a seduced reality will be able to spontaneously feed on it

Robel Kassa’s work investigates the nuances of pixels through the use of slow motion and close-ups which emphasize the Generative nature of digital media. Kassa explores abstract and frivolous scenery as motifs to describe the idea of cyber-intuitive hallucination. Using sensory loops, non-linear narratives, and neo-fascist images as patterns, Kassa creates meditative environments which suggest the expansion of space.

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